- HD
Stefano,Accorsi,Carolina,Crescentini,Elena,Cucci
- 正片
Paul,Alexandro,Marina,Vidal,Julio,Lousav
- HD
刘凯,朱文超,郑沛林,张馨月,商蓉,
- 已完结
Stephen,Bogaert,Richard,Jones,Greg,Lanzillotta
- HD
丽莎·夏佩尔,Robert,Taylor,Terry,Camilleri,Sam,Parsonson
- 1080P
,舒童,刘楚玄,张小婉
- 正片
尹扬明,关宝慧,颜仟汶,张豪龙
- 正片
柳海真,尹启相,金弘波,禹贤,金太勋,金善映,赵贤哲,Hyun-Chul,Cho,艺秀晶
- HD
何育骏,李巧儿,林威,赵雨浓,童高洁
- HD
佐佐木藏之介,新川优爱,游井亮子,塚地武雅,德重聪,吹越满,高桥洋,宫﨑香莲
- HD
约翰·赵,米娅·伊萨克,卡雅·斯考达里奥,乔希·汤姆森,奥蒂斯·丹吉,斯蒂芬妮娅·欧文,米切尔·霍普,Jen,Van,Epps,杰梅奈·克莱门特,Quentin,Warren,伊丽莎白·霍桑,Graham,Vincent,乔丹·穆尼,Timothy,MacDonald,Madeleine,McCarthy,Jade,Harlow,西蒙·米德,Arlo,Gibson,Claire,Chitham,莫嘉娜·奥莱利,汉娜·马克斯
- 高清版
伊万·麦克格雷格,LynnCohen,休·杰克曼,米歇尔·威廉姆斯,比尔·坎贝尔
- 正片
李志成,李雄,赵芳华,周宇鹏,朱莉,李子雄,孙明振
- HD
本尼西奥·德尔·托罗,贾斯汀·汀布莱克,艾丽西亚·希尔维斯通,埃里克·博高森,萨德·拉金比尔,弗兰西丝·费舍,迈克尔·皮特,多米尼克·隆巴多兹,欧文·泰格,奥托·艾森度,玛蒂尔达·鲁茨,卡尔·格洛斯曼,斯凯·费雷拉,维克多·罗塞克,凯瑟琳·博伊德,凯萨琳·戴尔,迈克·普涅夫斯基,库尔特·岳,杰西·C·博伊德,迈克尔·比斯利,吉姆·戴佛提,丹妮·迪特,马特·梅德拉诺,埃琳娜·瓦雷拉,李·珀金斯,戴安娜·劳拉,艾丽尔·妮可,约翰·盖蒂尔,格兰特·韦弗,罗伯特·廷斯利
- 正片
王雨甜
The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands男主身上超乎预期的没有东方青苍的影子!!阑珊着梦的缤纷和起伏的思绪。一切都同归于一个寂字,而我却独自清醒,情思在飞舞,灵魂在呼吸